GRAPHIC & EDITORIAL DESIGNER, VISUAL RESEARCHER, PHOTOGRAPHER.

























                 MY WORK                  MY  WORK                  MY WORK                  MY  WORK                  MY  WORK                  MY WORK                  MY  WORK                  MY WORK                  MY  WORK                  MY  WORK                       MY WORK 



(2025)

Polvo Y Sombrero

Editorial Design


This book shows a visual archive that traces the evolution of the figure and archetype of the witch in the Western world, from the 14th century to the present. Our research stems from the stereotypical image of the witch deeply rooted in Western collective imagination: old, ugly, evil, single or widowed; poor, dressed in black, wearing a pointed hat, with long nails, a hooked nose with warts, disheveled grey hair, and a piercing, frightening laugh. As we delved deeper into the subject, we began to ask ourselves: Why is she represented this way? What historical events shaped this archetype? Who were the real women behind these portrayals? And why were they judged and condemned?

Selected for Inbook at the Laus Awards 2026.

(2025)

Extremely Ordinary

Editorial Design


This quirky magazine explores the surreal side of everyday life as a counterpoint to the perfection that dominates our daily routines, seeking those small moments where we can truly be ourselves. In this project, the narrative is driven by a powerful visual weight; through carefully curated articles and, above all, unexpected and disruptive imagery, the publication showcases the charm of human absurdity. It is a visual invitation to challenge our perception, offering a completely new way to observe, question, and engage with our surroundings.

(2025)

Developed

Web Design & Photo


The creation of a website from scratch, covering all phases of the design and prototyping process in Figma. Special attention was given to navigation, visual clarity, and overall aesthetic coherence, integrating decisions on typography, grid, and content structure to build an intuitive and expressive portal that reflects the project’s personality.
(2024)

Anemoia

Final Degree Project


Letters, papers, notebooks, movie tickets, plane tickets, instant photos… why do we keep all these things? This final project analyzes a society in which digital formats are the primary means of communication, but analog objects gain popularity and return to become part of our lives, filling a nostalgic and emotional void from our past. Anemoia explores all these nostalgic sensations and, through the creation of various graphic representations formalized in a fanzine, presents the sensation of false nostalgia. These elements transport us to non-existent moments and provoke reflections that make us question the role of technology in the current era. The warmth and longing for the past guide us towards incorporating media that seem obsolete or distant from the most innovative processes. Objects that were everyday items for our parents and grandparents are now being reclaimed to belong to the lives of new generations.


(2025)

The Ideal Book

Editorial & Visual Research


What's an Ideal Book? This is a book that talks about books. A collection of random thoughts about paper, words, and images, all narrated in the final pages of this visual essay. The images were sourced from pages found in books hidden in libraries and then scanned, creating a dialogue between the physicality of books and their visual content. What’s an Ideal Book? What’s a book? Just words? Just paper? What if it’s simply something that someone wanted to say?




(2025)

The Key

Visual Identity


The cold images of metal keys and the yellowed scanned paper, we explored new ways to represent these everyday objects. Printing, scanning, and adding clips, post-its, and staples turned the ordinary into a small visual experiment in textures and composition.

For our art direction class we decided to create this visual language, starting with the simple key and experimenting with layers, textures, and everyday materials to give new life to something so familiar.

(2025)

Some Trees

Editorial Design & Photo


Digital dots form images of trees across the pages. A photobook that, althought it displays images as vivid as nature itself, it merely composed of colored dots.
(2024)

Digital Noise

Editorial Design & Visual Creation


Workshop with @xpatrickthomas that starts with a sound and ends with a publication. Blank pages filled with elements that may seem to clutter or disrupt but, in the end, give rise to something completely new and unique—a fresh, distinctive movement born out of unexpected combinations in black and white.
(2023)

ExtraBold Fest

Serigraphy Festival


The festival "Extrabold" is a set of activities related to graphic design that take place during a week in the university environment of Bau. In 2023 I have been part of the team of ideation, organization and creation of the workshops. One of them is the silkscreen printing workshop where together with my colleagues we have devised different templates with phrases and combinable elements to customize T-shirts in a totally free way. Through this printing technique, each workshop participant created her own t-shirt with the help of one of us.
(2023)

Antique Olive Specimen

Typography Study


Creation of a specimen of the "Antique Olive" typeface family. It is a publication where typography is related to different bodies, weights, design and layout situations.
(2023)

Coffee Beans

Editorial Design


Editorial publication in magazine format. The project starts with the conceptualization, editorial planning, and content research. Then, visual design work is carried out, which includes typography, color palette, and the creation of visual elements such as characteristic coffee stains in the publication.
(2023)

Vansire Vinyl Design

Branding Design


Vinyl branding and image redesign for the album "Angel Youth" by the band Vansire. The project focuses on the art direction and visual identity of the vinyl edition. Inspired by the nostalgic summer feeling transmitted by their music, the design centers around this seasonal aesthetic. The creative process involved photographic retouching to capture the warmth of summer imagery, combined with typography treatment. 


© Cristina Dolcet